BADLA MOVIE REVIEW
Review: Since revenge stories are literally done-to-death in cinema, crafting a smart thriller around the same old saga requires smart execution and tactfulness. Director Sujoy Ghosh’s ‘Badla’ delivers solid thrills and genuine twists with great effect. This whodunit, keeps the viewer engaged and constantly guessing about the big reveal. The fact that this is a remake of the Spanish film The Invisible Guest does not matter too much. The solid performances by Amitabh Bachchan and Taapsee Pannu, along with the eye-for-detail in writing by Ghosh and his team, make the film a thrill-a-minute ride.
The majority of the drama unfolds between just the two characters Naina and Badal Gupta, as they recollect the episode of Arjun’s murder. It’s a dialogue-heavy setup, where the interaction between two central characters draws you in and their repartee catches your attention. In the simplest sense, the premise of ‘Badla’ is a conversation between an accused, Naina and her lawyer, Badal. But, the very fact that both characters withhold the truth and reveal their true intentions, slowly and steadily keeps the intrigue alive. Ghosh and his co-writer Raj Vasant adapt the story to an Indian context with plenty of Mahabharata references. Some of the dialogues get a bit repetitive, but the emotions of the characters and the situation are conveyed crystal clear. The constant back and forth into the flashbacks does get a bit tedious and makes the film feel a lot longer than it actually is.
The real reason why the film comes together is the rapport between Taapsee Pannu and Amitabh Bachchan. On paper, the setting of client and lawyer may be familiar thanks to the two actors’ previous collaboration Pink, but the relationship and the dynamics between the two are completely new in ‘Badla’. Taapsee’s character has many shades and they’re revealed one by one as the story progresses. The actress makes all the transitions seem perfectly authentic. Mr Bachchan on the other hand has a more straight-laced role, but deft nuances and his ability to pull off the best lines with his elegant baritone, makes the performance as clinical as a veteran lawyer’s arguments in court. Together, both actors combine to create the right amount of tension and thrill. Supporting performances by Tony Luke and Amrita Singh are top-notch, too.
Sujoy Ghosh has made a habit of pulling off complex thrillers like ‘Kahaani’ and ‘Kahaani 2’ with ease, and with the multi-layered narrative of ‘Badla’, he seems right at home. The cinematography by Avik Mukhopadhyay, the editing by Monisha R Baldawa and the background score by Clinton Cerejo compliment Ghosh’s edge-of-the-seat storytelling. The predictability of the screenplay dampens the thrills occasionally, also the climactic twist requires a healthy dose of suspense of disbelief. But, even the seasoned genre faithfuls will agree that ‘Badla’ offers a creative and thrilling end to a captivating mystery.